CV (with Milenko Prvacki) @ Chijmes, Caldwell House, Singapore, 1998
Terracotta / Ageing, 1998
Installation of 48 elements, 125 x 10 x 141 cm
Terracotta / Ageing, 1998
Installation of 48 elements, 125 x 10 x 141 cm
Terracotta / Ageing, 1998
Installation of 48 elements, 125 x 10 x 141 cm
Memorial Garden, 1998
Reduction fired stoneware
Size: about 270 x 200 cm
Memorial Garden, 1998
Reduction fired stoneware
Size: about 270 x 200 cm
Learning, 1998
Old letters, Writing, Geography, Diary Pages, Pencil & Crayons Stoneware, stains
Sizes: variable
Learning, 1998
Old letters, Writing, Geography, Diary Pages, Pencil & Crayons Stoneware, stains
Sizes: variable
Learning, 1998
Old letters, Writing, Geography, Diary Pages, Pencil & Crayons Stoneware, stains
Sizes: variable
Places, 1998
Transylvania - green, The Danube - blue (from the Black Mountains to the Black Sea), Cities - red & The Tropic - green
Glazed stoneware
Size: 4 m long
View from the Exhibition
A Piece of Sky, 1998
Stoneware, Porcelain, Oxides and Platinum
Size: 220 x 160 x 50 cm
In 1998 Delia exhibited work jointly with her husband Milenko
Prvacki in a very special location - the Art Gallery
at Chijmes, a unique architectural space. The gallery
is composed of 5 distinctive rooms, all of them symmetrical
and proportionally related to the Rotonda,
formerly a religious, sacred place. The exhibition was conceived
as 'site specific,' flowing from the characteristics of its
architectural surrounding. The exhibition's theme, Curriculum
Vitae, was also an attempt by the artist to (re)present
herself to the Singaporean public, through work inspired by
significant sequences of her life.
In the gallery's first room: Terracotta/Ageing,
a floor installation with 48 elements set in a movement of
progressive deceleration. These represent the artist's life:
the symbolism of time, as well as a choice of material, color
and shape representative of woman's condition.
Of great importance in a CV is information relating to location
and dwelling. In the central room, another floor installation:
four lengthy structures each denote through color and texture
the significant cultural spaces inhabited by Delia during
her life. A composition titled Learning was
placed in an adjacent room, corresponding of course to the
CV's learning years, the process of maturation
and discovery of symbols, letters, writing… Another
adjacent room contains Memorial Gardenan
installation…
A Piece of Sky in the small chapel testified
to the central role of poetry in this artist's personal world.